If that works for you, and you agree with the way everything was recorded on that Stage, no probs.īut I find the library to be too Wet and with too much Character as to pan elements differently.Ī better alternative would be the newer Hollywood Orchestra, It's well known for having a character of its own, very Roomy and Bright EQ. Hm well it's always a matter of taste, but I would say QLSO is a bit outdated right now. "I came near buying EWQLSO platinum very recently." The transition from your Sibelius midi notes will never be seamless.Ī considerable amount of adjustment will need to be done to the notes and libraries themselves to get the best sound/expression out of them. Dynamics sibelius Pc#and ofc consult that with your PC and wallet.īut trust me, GPO cannot even begin to compare to the quality of proper Kontakt/sampled libraries.Īlso bear in mind even if you had the best libraries, So you will have to do your research and see which Orchestral libraries sound better to you, The options here are too wide and taste/goal-dependent as to recommend an easy route, or an all-in-one solution. It's good enough to Draft the ideas, but if you want Realism/perfection you need proper quality sampled libraries. In any case I don't think GPO can be considered the pinnacle of realism. Maybe it's a matter of panning/positioning the instruments on the stereo field? If it's the same instruments playing the same exact notes (velocity), I know Reaper is amazing and amazing music can be produced with it, to try to suade your dislike of Sibelius I invite you to listen to this on Sibelius and plugin NotePerfomer. So I'm stuck again in my quest for even more realistic sound. I don't think the expression marks are the problem, it is the timber of the instruments that is wrong, I added reverb which helped a little but high notes on the violins still sound terrible.Ī respected composer in the Sibelius forum adviced me to import the audio to Reaper to give it the finishing touches but as you point out I also find there is not much that can be done with the audio files. The problem I find is it sounds dreadful, a hundred times worse than the original. I started another thread in this neubie section "Sibelius to Reaper" the 26th of September, a very kind member helped me a long way, so I have another Reaper project from the same Sibelius score in which I imported midi files and then through the Garritan Aria Player imported the original instruments used in the Sib. > iMac Intel 2GHz 2GB | OS X Version 10.4.11 Tiger | Sibelius 6.I feared as much, I am a totaly newbie to the world of DAWS perhaps I shall remain so, I have used Sibelius for 20 years so of course I disagree with you but that is fine, you're right from your side and I'm right from mine. > Once this is done, you can enter dynamics above as quickly as below a staff. Then you can assign a new shortcut to it in Preferences>Menus and shortcuts>Text styles (perhaps shift-cmd-e if it's free?). find the new style, and give it a new vertical position above the staff. Base it on Expression, and give it a name like 'Expression (above staff). > You can make a new text style specifically for the left-hand staff dynamics that you want to put between the staves. It doesn't see that the staff is part of a grand staff, for instance. A text style has a default position relative to the staff it is attached to. > This is not the way text styles work, though. Sorry, Jeremy, my reply was actually directed to Rob, but I forgot that if I don't quote, no one will know that. Posted by Richard Ratner - 10 Jun 01:05PM IMac Intel 2GHz 2GB | OS X Version 10.4.11 Tiger | Sibelius 6.0, how could I resist? Once this is done, you can enter dynamics above as quickly as below a staff. You can make a new text style specifically for the left-hand staff dynamics that you want to put between the staves. This is not the way text styles work, though. >My point was that if the default is that dynamics apply to both hands, then that default means that the dynamic should appear in the middle, irrespective of which hand they are attached to.
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